If you are citizen of an European Union member nation, you may not use this service unless you are at least 16 years old.
You already know Dokkio is an AI-powered assistant to organize & manage your digital files & messages. Very soon, Dokkio will support Outlook as well as One Drive. Check it out today!

KeyboardLiveEABibliography

Page history last edited by jef chippewa 13 years ago

eContact! 13.2 — Keyboards + Live EA: The Performer’s Perspective / Claviers et « live electronics » : La perspective de l’interprète [Return…]

Index • Bibliography • Toy Piano + EA Rep • Development

Your contributions to this [wiki] page are most welcome. Please visit this page for more information and guidelines for contributing.

Keyboard + Live EA [wiki]: Bibliography

The following bibliographic and reference list pertains specifically to references that concern the piano (grand, baby grand, upright, toy piano, Disklavier). There exists a large body of references for performance practice for various instruments using technologies that is simply far too broad to be addressed here.

Ciufo, Thomas. “Three Meditations for Prepared Piano and Computer.” 2002. Available on the author’s website http://ciufo.org/research.html (Accessed 7 May 2007).
Ding, Shiau-uen. “Developing a Rhythmic Performance Practice in Music for Piano and Tape.” Organised Sound 11/3 (December 2006), pp. 255-272.
_____. “Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and ְְ‘Tape.’” Unpublished DMA dissertation, University of Cincinnati, 2007.
Lippe, Cort. “Music for Piano and Computer: A Description.” Proceedings of the USA / Japan Computer Music Conference 1997. Tokyo: Kunitachi Conservatory.
Pestova, Xenia. “Models of Interaction in works for Piano and Live Electronics.” Unpublished doctoral thesis. McGill University, 2008. Available on the author’s website. http://xeniapestova.com/thesis.html
An examination of three recent works for piano and live electronics from the performer’s perspective: Silvio Ferraz — Cortazar, ou quarto com caixa vazia (1999); Hans Tutschku — Zellen-Linien (2007); Bryan Jacobs — Song from the Moment (2008).
_____.“Models of Interaction: Performance Strategies in Works using Piano and Live Electronics.” Journal of Music, Technology and Education vol. 2 issue 23 (December 2009).
Addresses specific learning strategies and pedagogical issues in works for piano and live electronics.
Pestova, Xenia, Mark T. Marshall and Jacob Sudol. “Analogue to Digital: Authenticity Vs. Sustainability in Stockhausen’s Mantra (1970).” Proceedings of the International Computer Music Conference (ICMC) 2008 (Belfast: SARC — Sonic Arts Research Centre, Queen’s University Belfast, 24–29 August 2008), pp. 201–204. Available on the author’s website http://www.xeniapestova.com (retrieved 8 October 2010)