ElectroacousticTechniques


The list has been compiled into an html page for eContact! 8.4 Educational Resources. If you wish to add an entry, or to annotate an existing entry, contact jef chippewa directly.

 

Thanks to all for your contributions!

 


 

SEARCH IN THIS WIKI <findpage>


 

CONTRIBUTION GUIDELINES

 

 

  1. In order to keep this list as simple and manageable as possible, only use examples that provide a very obvious example of the technique.
  2. Keep the code simple. Do not embed links.
  3. Do not delete any information that you yourself did not create.
  4. Do not edit others’ entries.
  5. Use the following format, and provide all information for each piece. If the composition is an excellent example of more than one technique, list the composition under each appropriate heading.

Composer — Composition (Year), on CDTitle (Year). Brief (10–20 words max!) description of how the technique was used. 1–3 regions where the technique is clearly evident, formatted as 00:00-00:00; 00:00-00:00. http://LinkToSONUS.com

 

 

 


 

WORKS AVAILABLE IN SONUS

 

 

Acousmatic — See Musique Concrète: "acousmatic" techniques

 

 

 

 

Additive Synthesis

 

 

 

Analog Modular Synthesis, General

 

 

 

Circuit Bending

 

 

 

 

 

Collage(1)

 

 

 

Collage(2)

 

 

 

Digital trash or computer data used as sound materials

 

 

 

Exploration of the object

 

 

 

FM Synthesis

 

 

 

 

 

Granular Synthesis (see also Time Stretching)

 

 

 

 

Installation

 

 

 

 

MIDI-stration

 

 

 

Mixed

 

 

 

Monophonic

 

 

 

 

Multi-channel

 

 

 

 

Musique Concrète: "acousmatic" techniques

 

 

Musique Concrète: “traditional” techniques

 

Naive

 

 

Regeneration (also known as Resonation)

 

 

Ring Modulation

 

 

Risset Tones (aka... Shepard Tones)

 

 

 

Soundscape (collage)

 

 

Soundscape (narrative)

 

 

 

Subtractive Synthesis

 

 

 

Time stretching

 

Variation form

(1/5, 1/3, 1/2, 4/7),

(6/7, 3/4, 3/5),

(5/6, 5/7, 5/9, 8/11),

(5/4, 3/4, 1/2, 5/6),

(3/5, 7/10, 9/10, 11/16),

(5/8, 3/4, 1/1, 5/7),

(3/2, 1/1, 3/4, 11/16).

http://cec.concordia.ca/electrobox/sonus02/Holopainen_In_Vitro.mp3

 

 

WORKS AVAILABLE COMMERCIALLY

 

 

 

Acousmatic — See Musique Concrète: "acousmatic" techniques

 

 

 

Additive Synthesis

Frank Rothkamm — Astronaut of Inner Space from FB02 (2003-2006) http://rothkamm.com?FB02

 

 

Analog Modular Synthesis, General

 

 

 

Circuit Bending

 

 

 

Collage(1)

 

 

 

Collage(2)

 

 

 

 

Digital trash or computer data used as sound materials

 

 

 

Exploration of the object

 

 

 

 

FM Synthesis

Frank Rothkamm — Atmospheric Composition from FB01 (2002-2005) http://rothkamm.com?FB01

 

 

Granular Synthesis (see also TIme Stretching)

 

 

Installation

 

 

 

MIDI-stration

 

 

 

Mixed

 

 

Monophonic

 

 

 

Multi-channel

 

 

 

 

Musique Concrète: “traditional” techniques

 

 

 

Musique Concrète: "acousmatic" techniques

 

 

 

Naive

 

 

 

 

Regeneration:

 

 

 

Ring Modulation

 

 

 

Risset Tones (aka... Shepard Tones)

 

 

 

 

Soundscape (collage)

 

 

 

 

Soundscape (narrative)

 

 

 

 

Subtractive Synthesis

 

 

 

Time Stretching

 

 

 

CONTRIBUTORS

Please send me your email address privately. It will only be used for the CEC’s administrative purposes; only your website address will appear in eContact! (if you provide one here).

Kevin Austin

jef chippewa http://cec.concordia.ca

Jeff Cloke

Frank Koustrup

Antonio Russek

 

 

 

my space counter